It’s Blu-ray time again as Sergio Mims joins Erik to take you on a sprawling arc (even the Joan kind) through recent titles you will want to check out. From a pair of watered-down true stories about bad men down to the everyday concerns of the suburbs from paying for college to weird neighbors. They put another woefully-mishandled small town mystery on your radar as well as a couple action films that Sergio just loves for their interrogations, chases and downhill ski shootouts.

It’s the annual Summer Box Office show! Erik Childress breaks down his predictions for the 20 films he believes will be the tops in theaters this summer and then goes beyond just as a bonus. Sergio Mims is on hand to challenge some of those thoughts. They certainly agree what will be the champion of the summer, but can it be the biggest film of the year? It’s all here as they discuss Infinity War, Deadpool 2, Solo: A Star Wars Story as well as Sicario Deux and all the non-sequels as well.

Back to the new Blu-rays we go with Sergio Mims as they discuss horror, true stories and a number of comedies that just never worked. They talk both the new restoration of Dario Argento’s Suspiria but also the making of a Stephen King adaptation. They preview some upcoming Shout Factory titles and express their disappointment with films from Alexander Payne and Aaron Sorkin. But wrap it up with their appreciation of Paul Thomas Anderson’s latest and the history of one of Howard Hughes’ most infamous creations.

Last month, Erik Childress attended his 16th SXSW Film Festival and it was one of the best ones in years. It opened with A Quiet Place which has gone on to become one of the biggest success stories of the year. There were some wonderful surprises by a number of films still waiting for distribution deals. But greatest of all was the host being in the same room with his cinematic idol during a special screening at the festival. Erik tells the whole story to Sergio Mims and also shows a lot of love (and a little shade) to the films he saw.

We turn back to catch everyone up on Blu-rays and DVDs you may have missed. Thought it seems everyone Erik turns with Sergio Mims they are discussing someone who did something that may not be cool today. In related that was then, this is now they discuss the morality class favorite, The Incident, and other films from Twilight Time, discuss a trio of Disney favorites. They delve into HBO’s The Deuce and a whole batch from Paramount.

On this first of what we hope to be many special episodes of the podcast, we begin a new segment of the show dedicated to varying Top 10 lists. Only this one is not a countdown but a count-up. Erik Childress and Sergio Mims choose ten films from their childhood which helped form their appreciation of cinema and may have also contributed to who they became as human beings. It’s a funny, emotional episode that may spinoff into additional episodes but the youth of Erik and Sergio is a great place to start and will have you thinking about your own lists.

Sergio Mims joins Erik Childress to continue their catch-up on an array of new Blu-ray editions including many from Shout Factory, a couple courtroom dramas, some solid fare from Warner Bros. and the film where Sergio watched an entire audience boo it upon its initial release three years before Sam Elliott nearly caused 9/11.

While Erik Childress prepares to head to Austin for South by Southwest, he takes you back to this year’s Sundance Film Festival. A surprisingly solid list of films goes from documentaries about some of our most beloved entertainers, tales of youth and revenge of the women. Plus you will hear about what could be Carey Mulligan’s finest work to date and what may be THE horror film of 2018!

Back to the Blu-rays we go as Erik and Sergio talk the 50th Anniversary of Night of the Living Dead along with a number of wonderful new gems from Criterion. Sergio gets to talk about being in the minority of a film he loved in 2017 and then joins along with Erik in their love of the holiday’s surprise hit, Wonder. They get into the weeds a little talking about the first post-scandal Woody Allen film but get right out by talking about Sergio’s experience as an assistant director on Jamaa Fanaka’s Penitentiary as well as his first Blu-ray commentary track.

The anticipation level was through the roof and it audiences have turned it into an all-timer at the box office. Now Sergio Mims and comic book expert Erik Laws join Erik Childress to put Ryan Coogler’s film in greater context. What led up to it and can it take its historic status to the next cultural level. Spoilers are few but the discussion is multi-faceted. Is this a movie of the moment or a springboard to an industry in transition for the better?