Bill speaks to Peter Biskind about his various endeavors in film culture, from editing for publications like American Film and Premiere to writing books like THE SKY IS FALLING, DOWN AND DIRTY PICTURES and EASY RIDERS, RAGING BULLS: HOW THE SEX-DRUGS-AND-ROCK-‘N’_ROLL GENERATION SAVED HOLLYWOOD. Topics discussed include: Biskind’s work as a documentarian, Brandon Films, getting reprimanded by Francis Coppola, the development and reception of EASY RIDERS, RAGING BULLS, comic book movies and extremism in popular entertainment, Harvey Weinstein and having to axe a piece by Christopher Hitchens because of his insufficient notes.

Bill speaks to author and film critic Adrian Martin about how a childhood interest in science fiction fanzines lead him towards a rich and varied life in film culture, from teaching film at age 19 and working as a freelance film/arts critic to writing books, co-editing online journals like Rouge and collaborating with fellow critic Cristina Álvarez López on audiovisual essays. Topics include: writing techniques and outfoxing subeditors, progressive rock, specializing in certain films/filmmakers, audio commentaries, Bill Krohn, discussing troublesome directors, early 1980s Melbourne film culture, Josef Von Sternberg and experiencing premonitions in dreams concerning PLANET OF THE APES.

Bill speaks to writer Rachael Nisbet about her creative endeavors, from developing the website Hypnotic Crescendos to writing booklet essays for Dario Argento and Sergio Martino home video releases. Topics discussed include: Umberto Lenzi, Edinburgh film culture, research practices, erotic thrillers, Kat Ellinger, DON’T LOOK NOW, Scalarama and how to apply the aesthetic of an Italian giallo to one’s wedding reception. 

Bill speaks to film critic and curator Ela Bittencourt about her many pursuits, from programming the Neither/Nor Polish retrospective at True/False Film Fest and the LGBTQ Brazil series at the Museum Of The Moving Image, to writing for publications like Slant and Film Comment and creating the website Lyssaria to call attention to the work of young filmmakers. Other topics include: Polish Cinema in the 1990s, hybrid documentaries, Andrzej Zulawski, the importance of good editors and the childhood experience of playing an extra in an Andrzej Wajda movie.

Bill speaks to writer and film programmer Eric Allen Hatch about his many endeavors, from writing criticism for Baltimore’s City Paper to his years serving as director of programming for the Maryland Film Festival. Topics discussed include the Filmmaker Magazine piece “Why I Am Hopeful”, The Red Room Collective, Video Americain, Skizz Cyzyk and MicroCineFest, Beyond Video, Baltimore Museum Of Art’s Free First Thursdays film series, memes and social media, POSSESSION, Metrograph, Rainer Werner Fassbinder and the need for community engagement as a programmer.

Bill speaks with filmmaker and Blue Underground CEO Bill Lustig about his many experiences in film, from his childhood experiences on 42nd Street regular to directing cult favorites like MANIAC and VIGILANTE and working in home video with companies like Anchor Bay Entertainment. Topics discussed include Netflix, character actors, ALICE SWEET ALICE, filming car chases with Randy Jurgensen, character actors, the differences between East and West Coast adult films of the 1970s, Duke Mitchell, TRUE ROMANCE and  the economic realities of the home video business.

Bill speaks with critic and author Alexandra Heller-Nicholas about her many pursuits, from co-founding Fiend Magazine and writing books like RAPE-REVENGE FILMS and FOUND FOOTAGE HORROR FILMS to editing for Senses Of Cinema and co-curating the Pioneering Women program on Australian women filmmakers of the 1980’s and 1990’s. Topics covered include: Carol Clover, Plato’s Cave, date movies, masks, MEGAN IS MISSING, writing and editing tips, Hal Hartley, THE STENDHAL SYNDROME, Graveyard Shift Sisters and the predatory behavior of Pepé Le Pew. 

Bill speaks with film writer and DVD/Blu-Ray producer Michael Brooke about his various endeavors, from his years at Hampstead’s Everyman Cinema and the BFI to producing Blu-Ray releases for labels like Arrow Video and Indicator. Topics covered include: London repertory cinemas of the 1980s, Béla Bartók, revisionist video transfers, Ken Russell, video label economics and limited editions, Mehelli Modi and Second Run DVD, Jan Švankmajer, Channel 4's adventurous 1980s programming, audio commentaries, The Quay Brothers and how testing pasta shells for your children can lead you to reconsider appearing on camera.

Bill speaks with author, critic and publisher Maitland McDonagh about her creative pursuits, from the origins of books like THE 50 MOST EROTIC FILMS OF ALL TIME and the landmark BROKEN MIRRORS/BROKEN MINDS: THE DARK DREAMS OF DARIO ARGENTO to blogging for TV Guide and founding 120 Days Books. Topics covered include: ballet, COLUMBIA FILM REVIEW, Times Square grindhouse culture, Dennis Gifford’s A PICTORIAL HISTORY OF HORROR MOVIES, writing for TV Guide, contemporary horror films, film theory, DARKER THAN AMBER, cat counselors and Abel Ferrara’s approach to ensuring a quiet setting for an interview.

Bill speaks with film journalist, critic and film festival programmer Alan Jones about some of his many endeavors, from writing childhood film diaries to co-directing the UK's largest International genre film festival. Topics covered include: Dario Argento, The Portobello Hotel, punk rock, auditioning for Russ Meyer, CARRIE, the BFI, Guillermo del Toro, disco and Jones’ forthcoming book DISCO MANIA for Nicolas Winding Refn, Asia Argento, visiting film locations, and how following the writing advice of Jackie Collins can allow you to accept the pleasures of alliteration.