Bill speaks to author and magazine publisher/editor Michael J. Weldon about his many endeavors, from drumming with Cleveland proto-punk act Mirrors and reviewing movies for Cle, to Psychotronic, his photocopied, hand-written fanzine that lead to books like the influential PSYCHOTRONIC ENCYCLOPEDIA OF FILM, the long-running PSYCHOTRONIC VIDEO magazine, calendars, film festivals and the Psychotronic store he manages today. Other topics include Ghoulardi, Roger Corman, hypnotism, Diane Keaton’s HEAVEN, Club 57, Johnny Ramone, cattle call auditions for GHETTO FREAKS, childhood filmmaking efforts, Alfred Sole, research methods, 42nd Street theatres, THE HYPNOTIC EYE and being killed over and over by Dr. Butcher, M.D.

Bill talks to writer and film historian Chris Poggiali about his many endeavors in film culture, from co-creating the Temple Of Schlock fanzine and founding the long-running blog of the same name, to contributing to various magazines and video releases, distributing BLACK SAMURAI and working on books with Grady Hendrix, Michael Gingold and Sam Sherman. Topics include: Jack Starrett, the impact of crack on 42nd Street theatres, Steve Puchalski’s SLIMETIME and horror fanzines, The Journal of Interstitial Cinema, William Smith, blogathons, Paul Talbot, lost and endangered films, the link between THE GREEN HORNET and WANDA, bootlegs, THAT’S HOLLYWOOD, screenwriting for William Grefé, identifying PETS with Vinegar Syndrome and how interviews can become derailed by criminal confessions.

Bill speaks to filmmaker, author, podcaster, film programmer and home video label founder Justin Decloux about his many endeavors in film culture, including the Laser Blast Film Society, The Important Cinema Club podcast, the Gold Ninja Video label, the feature films TEDDY BOMB and IMPOSSIBLE HORROR and the book RADIOACTIVE DREAMS: THE CINEMA OF ALBERT PYUN. Topics include: Will Sloan, ARMY OF DARKNESS, the importance of good collaborators, the films of Charles Roxburgh and Matt Farley, RADIOACTIVE DREAMS, Canadian cinema, Fred Olen Ray, Letterboxd, Emily Milling, the Loose Cannons podcast, CRITTERS 4 and playground deception.

Bill speaks to novelist, screenwriter and film historian Andrew J. Rausch about his various endeavors, from early experiences in journalism, hip-hop and microbudget horror movies to a writing career that has yielded over 40 books to date. Topics include Quentin Tarantino and MY BEST FRIEND’S BIRTHDAY, Rod Lurie, interview techniques, Jack Hill, identifying homophobic aspects in the work of Edward D. Wood Jr., freestyling with The Roots, writing crime fiction and the challenges of adapting CARNIVAL OF SOULS into a novel.

Bill speaks actress and singer Mink Stole about her life and career. Topics include the rehearsal process on John Waters movies, Andy Warhol’s Exploding Plastic Inevitable show, taking friends from The Cockettes to see PINK FLAMINGOS (and their reactions), her “Think Mink” advice column, LOST HIGHWAY, Peaches Christ, learning new skills in public, Prescott Townsend, Peggy Gravel’s opening rant in DESPERATE LIVING, the pleasures of voting in person, THE BROWNIE STORY, Dreamland fashions and what color shoes she wore the day after Labor Day.

Bill speaks to Gary Tooze about his home video review site, DVDBeaver, now in its 18th year. They discuss his experiences with film, from encountering Charlie Chaplin on television and renting 35mm Basil Rathbone movies with his father to creating the Listserv discussion group that evolved into his website. Topics discussed include audio commentaries, the 4K UHD format, David Cronenberg, nostalgia, Jonathan Rosenbaum, content warnings, Jesús Franco, Tim Lucas, contemporary pop culture in James Bond movies, online negativity, DETOUR and the pleasures of simple storytelling.

Bill talks to Kino Lorber’s Director of Repertory Sales and Acquisitions, Jonathan Hertzberg, about his many film cultural endeavors, from creating the Obscure One Sheet Blog and programming for the Chicago International Film Festival to developing his DIRTY OLD NEW YORK video essays and launching the new Fun City Editions home video label. Topics include THE WANDERERS, virtual cinemas, Michael Ferrari, Montclair in the 90s, THE SWIMMER, Milestone Films, the Wisconsin Union Directorate Film Committee and how discovering Danny Peary’s CULT MOVIES books during adolescence can both expand one’s taste and lead to a bad back.

Bill speaks to lecturer, editor and film programmer Abraham Castillo Flores about his path in film, from directing short films and cutting promos for the Independent Film Channel to programming for Mexico’s Mórbido Film Fest and hosting The Morbido Crypt's Guide to Mexican Fantasy and Horror Cinema events. Topics include: Luz María Rojas, Alejandro Jodorowsky, Luchador films, Liliana V. Blum, the documentaries of Paulina del Paso, contextualizing extreme films at festivals, Lucio A. Rojas’ TRAUMA, the programming work of Evrim Ersoy and Nicole McControversy, employing terror to promote safe sex, Lex Ortega, DIAMOND FLASH, the magic of editing and sharing a quiet smoke with David Lynch.

Bill speaks to film programmer Nellie Killian about her pursuits in film, from attending Orson Welles and Fritz Lang retrospectives as a child to co-founding the Migrating Forms Film Festival and teaching film courses at the Pratt Institute. They discuss her career in programming, from her work with venues like Brooklyn Academy Of Music to such recent efforts as the acclaimed TELL ME: WOMEN FILMMAKERS, WOMEN’S STORIES, now streaming on The Criterion Channel. Topics include: The Cinema Worker Solidarity Fund, experimental films, the New York Underground Film Festival, producing live subtitles for 35mm Andrzej Zulawski movie screenings, virtual cinema rentals, the publicity work of Michael Lieberman and Ryan Werner, the impact of COVID-19 on New York film culture and moderating Q&As while injured.

Bill speaks to writer, producer/screenwriter and professor Ashlee Blackwell about her various endeavors, from organizing events like Philly Loves Women In Horror and developing the Graveyard Shift Sisters website to teaching film at St. Joseph’s University and co-writing, co-producing and appearing in the documentary HORROR NOIRE: A HISTORY OF BLACK HORROR. Topics include: James Bond III, the value in narrowing one’s focus, R. Shanea Williams, THE EXORCIST, Dr. Robin R. Means Coleman, unwinding to stand-up comedy and having one’s feminist sensibilities awakened by A NIGHTMARE ON ELM STREET 4: THE DREAM MASTER.