Erik Childress and Peter Sobczynski take you through another week of physical media starting with Lawrence Kasdan’s sexy directorial debut getting an upgrade. Peter discovers a 1932 crime drama worthy of a blind buy. Hollywood is front and center in films from Peter Bogdanovich and Martin Ritt. Two of the best teenage films of the 21^st century are here ranging from cheerleading to lycanthropy. Provocateurs get in front of a microphone in films from Oliver Stone and Adam Rifkin. They also take a look back at two box office misfires from major filmmakers including Robert Zemeckis’ breathtaking version on Man On Wire and the Wachowski’s Matrix follow-up that has developed quite the following over the years.

Erik Childress and Steve Prokopy return from the Chicago Critics Film Festival with nine new reviews this week including a string of documentaries. Steve looks at a partnership designed to bring some care back to healthcare (The Chaplain & The Doctor) and actor Ben Mackenzie laying waste to the scam of crypto (Everyone Is Lying To You for Money). Erik looks at a tragic 2022 accident that may not have been an accident (The Crash) and Steve joins in on the life and career of a comedy legend (Marty, Life Is Short). The guy behind the guy that is Vladimir Putin is examined in a new film by Oliver Assayas (The Wizard of the Kremlin) and a middle-aged mouse believes the corporate-driven world he lives in is not what it seems (Decorado). Two sisters go on a revenge trip against the father who scarred them (Is God Is) and a pair of mercenaries plot to extract a power broker in the latest film from Guy Richie (In the Grey). Finally, a guy tries to get his best friend to love him and it may not go as you might expect (Obsession).

Erik Childress and Peter Sobczynski were off last week at the Chicago Critics Film Festival but return to catch you up on the world of physical media. There are serial killers played by Matt Dillon and another stopped by Charles Bronson. Criterion puts out more Kurosawa and there’s a documentary on George Stevens as well. A Disney animated film from the ‘50s gets the upgrade as does a sci-fi film from the era. A comedy classic and one of the great baseball films celebrate their 15th anniversaries. The pair look back at the lasting power of David Fincher’s adaptation of male insecurity and culminate with one of the great action films of the 1980s and the TV series it spawned in its wake.

Erik Childress and Steve Prokopy will be at the Music Box Theatre handling the Chicago Critics Film Festival this week, but they managed to squeeze in seven reviews for movies you can see (after you attend the fest.) They include the latest from RZA behind the camera (One Spoon of Chocolate). Erik looks at a family on a road trip after behind evicted (Omaha) and another family with a troubled son seen through the eyes of their daughter (Blue Heron). Steve sees Adam Scott haunted by old secrets and possibly a witch (Hokum). Andy Serkis does a new animated adaptation of George Orwell’s other classic (Animal Farm). Renny Harlin returns to planes and sharks (Deep Water) and the whole team returns to the journalistic side of fashion (The Devil Wears Prada 2).

A lot of collections this week in physical media which Erik Childress & Peter Sobczynski guide you through again. They include a trio of films from John Singleton as well as the works of Jess Franco and the weird legacy of one Andy Milligan. There are also films from Lucio Fulci and Olivier Assayas. Nancy Meyers figures in twice in the conversation including a title from our most recent Why Is This Not On Blu-ray show (WE GOT ONE!). We’ve also got Abbott, Costello and DeVito and how a Paul W.S. Anderson figures into the early part of Erik’s career. But if you haven’t seen this week’s Joe Dante title or shown it to the loved ones in your life, do yourself a favor.

There’s no slowing down this week on the show as Erik Childress and Steve Prokopy have nine reviews for you. They include a documentary on a female punk band (Pretty Ugly: The Story of the Lunachicks) and the Tourettes film that the BAFTAs just loved (I Swear). A woman on holiday decides if she wants to hook up with Charli XCX again (Erupcja), Anthony Mackie fights for the women of Arabia (Desert Warrior) and Aaron Taylor-Johnson must deal with a WWII bomb found in London (Fuze). Charlize Theron is hunted through the wilderness by Taron Egerton (Apex) while Jason Segel & Samara Weaving’s plans to kill each other get interrupted (Over Your Dead Body). Anne Hathaway’s singer needs a dress in the new film from David Lowery (Mother Mary) and the King of Pop gets part of a biopic from Antoine Fuqua and the Jackson estate (Michael).

It’s another week of physical media and Erik Childress is joined again by Peter Sobczynski to take you through a selection of Universal classics featuring W.C. Fields. There is also an all-star cast crime-and-court film, Johnny Depp as a book detective and even some original J-horror. There is also Lee Marvin defining the role of Donald Westlake’s anti-hero Parker, Michelle Pfeiffer, the Bridges brothers and a couple pianos and, of all things, the signature Brian Bosworth action film.

Erik Childress and Steve Prokopy fly solo on most of the movies this week, but they still have nine titles to talk about. Lena Headey discovers she may have created the bullet that killed her son (Ballistic). A strange friendship develops between two disparate young men when one tries to maybe stop the other from committing a school shooting (Our Hero, Balthazar). Barbie Ferreira plays a music critic who gets involved with the band she is covering (Mile End Kicks). The latest comedy from Peter Farrelly has Mark Wahlberg and Paul Walter Hauser as the creators of a very unusual condom (Balls Up). Keanu Reeves is a Hollywood star trying to prevent an embarrassing video from getting out (Outcome). There’s a documentary about the creator of Saturday Night Live (Lorne). Bob Odenkirk is in action mode again taking on a whole town in the latest from Ben Wheatley (Normal). Steven Soderbergh’s latest has Ian McKellen as an artist who hires a forger to finish his paintings (The Christophers). Finally, the director of Evil Dead Rise gets his name above the familiar title of his even more familiar horror film. (Lee Cronin’s The Mummy).

Erik Childress and Peter Sobczynski have a lot to say about this week’s batch of physical media. Maybe not as much as the most successful franchise entry amongst them, but certainly about Ernst Libitsch’s romantic comedy about thieves in love. Most definitely about Monty Python’s religious-skewering masterpiece. But there is also the troubled transports carrying George Kennedy and the out-of-control one that ranks as one of the great action films of the 1980s. An obscure, hard-to-find comedy about UFO seekers is the first of two Fred Ward headliners this week which leads into two films the guys have some fondness for including Orion’s attempt at an American James Bond and one of the very first masked do-gooders.

It’s a light week for physical media but that doesn’t mean that Erik Childress and Peter Sobczynski don’t have you covered. There is one of the great film noirs, particularly for fans of The Shawshank Redemption. A magnificent wonder in fantasy filmmaking from over a century ago that looks better than many films today. Meiko Kaji’s martial arts double feature gets the Arrow treatment. Finally, exploitation fans will have a field day this week with the essential Russ Meyer film as well as the film personally endorsed by none other than Bill Murray.